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The Musician's Guide to Theory and Analysis (Second Edition) (The Musician's Guide Series), by Jane Piper Clendinning, Elizabeth West Mar
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Emphasizing real music and music-making, The Musician’s Guide to Theory and Analysis gives students the hands-on tools they need to learn how music works.
Theoretically current and pedagogically innovative, the Musician’s Guide series uses the phrase model approach to show students how music works in context. With a focus on real music literature that students know and play, it shows how music theory relates directly to practice and performance. The Musician’s Guide to Theory and Analysis includes all topics essential to first- and second-year theory for music majors, from fundamentals to post-tonal theory and analysis.- Sales Rank: #195605 in Books
- Brand: W.W. Norton & Co
- Published on: 2010-12-20
- Ingredients: Example Ingredients
- Original language: English
- Number of items: 1
- Dimensions: 9.60" h x 1.70" w x 7.80" l, 3.44 pounds
- Binding: Hardcover
- 992 pages
About the Author
Jane Piper Clendinning is professor of music theory at the Florida State University College of Music. She has published articles reflecting her interests in the history of theory, theory and analysis of twentieth-century music, computer pitch recognition, and computer applications in music. Her current research interests include theory and analysis of popular and world musics. She has served as the chair of the Advanced Placement Music Theory Test Development Committee and as an AP reader, and is a regular consultant at AP workshops and summer Institutes.
Elizabeth West Marvin is professor of music theory and former dean of academic affairs at the Eastman School of Music. She has published in the areas of music cognition, music theory pedagogy, theory and analysis of atonal music, contour theory, history of theory, and analysis and performance. She is past president of the Society for Music Theory and is currently co-chair of the Advanced Placement Music Theory Test Development Committee. Marvin is the 2012 recipient of the Gail Boyd de Stwolinski Prize for Lifetime Achievement in Music Theory Teaching and Scholarship.
Most helpful customer reviews
21 of 22 people found the following review helpful.
A workbook with no answer key
By J. Cohen
Warning: no answer key at all in the book. Not even for odds or evens or something like that. This workbook is totally useless unless you have a teacher to tell you whether your answers are right and wrong. Just page after page of worksheets, which are designed to be torn out and handed in to a teacher. Not useful for self study - and annoying for a class too, because you will be reliant on the teacher to make the book useful. If they only want to grade certain ones, it's not like you could do the rest on your own for more practice. Disappointing. I am used to seeing at least 1/2 the answers provided in my textbooks, so that I may check my work. In the main textbook, which seems to be a very decent textbook, there are some exercises, and those have answers in the back. If you are using that textbook, you may have to make do with those, or find resources elsewhere to get more practice.
0 of 0 people found the following review helpful.
Four Stars
By Rosetta Bethea
My son used this for undergrad studies in his music major.
0 of 0 people found the following review helpful.
Five Stars
By AyotteMusic
Thanks. I understand music now.
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