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Music Theory And The Nashville Number System: For Songwriters & Performers, by Odie Blackmon
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"Music Theory And The Nashville Number System" is based on Grammy nominated hit songwriter Odie Blackmon's class at Vanderbilt University's Blair School of Music. Designed for songwriters, performers, musicians and audio engineers who know how to play chords on guitar or piano but haven't connected the dots of music theory or the Nashville Number System. Blackmon's book uses piano keyboard and guitar fretboard examples to prepare the student to communicate with other musicians, better understand how scales and chords works together, use chord extensions and inversions, see common patterns in chord progressions through number chart analysis, and read and write Nashville Number charts. Example charts are hand written by Blackmon and a host of Nashville's top studio players on hits they played.
- Sales Rank: #829159 in Books
- Published on: 2014-10-01
- Original language: English
- Number of items: 1
- Dimensions: 11.00" h x .45" w x 8.50" l, 1.23 pounds
- Binding: Paperback
- 188 pages
About the Author
Odie Blackmon is a Grammy nominated songwriter whose compositions have sold more than 20 million albums. Among those songs are the Academy of Country Music’s 2005 Single of the Year “I May Hate Myself In The Morning” recorded by LeeAnn Womack, ”She’ll Leave You With A Smile” which marked George Strait’s fiftieth No. 1 hit, and “Nothing On But the Radio” cut by Gary Allan which also topped the charts at No. 1. Billboard magazine named Blackmon “#1 Hot Country Songwriter” in 2005; he has also received three ASCAP performance awards and three NSAI achievement awards. Heralded by the New York Times as “one of Nashville’s most respected musicians” and described as a “great craftsman” by American Songwriter magazine, Blackmon has dedicated his life to the study of his craft and sharing the knowledge of his journey. Blackmon released the first songwriting instructional DVD of its kind called The Craft of Writing Hit Songs that Bart Herbison, the Executive Director of NSAI, called a “must have.” He most recently authored his first book titled, Music Theory and The Nashville Number System (for Songwriters and Performers). Blackmon served as “Artist in Residence” for the America Scores program in St. Louis, Missouri working with inner city school children. He served three years as songwriting faculty for the ACM Lifting Lives Music Camp for people with Williams Syndrome and is he is also a Leadership Music Alumni. Blackmon is also a Lecturer of Music at Vanderbilt University’s Blair School of Music and Assistant Professor at Middle Tennessee State University’s Recording Industry Program. Most recently, the hit ABC television show Nashville featured one of his song “Tough All Over” and he co-wrote the top 20 Gary Allan single “Pieces.”
Most helpful customer reviews
5 of 5 people found the following review helpful.
A very useful and well-written book by Mr
By Waljax
A very useful and well-written book by Mr. Blackmon. As a professional session and touring musician, the Nashville Number System has been a huge part of my musical vocabulary for 25 years. I constantly use it everyday on sessions from Jon Bon Jovi to ABC's "Nashville" television show. It has become universally know from Nashville to Los Angeles to Sweden. I can't imagine being a modern working musician and not being familiar with the Nashville Number System.
1 of 1 people found the following review helpful.
Not enough on Nashville Number System.
By ctownjak
I am a guitarist and songwriter with a moderate (not a lot) amount of knowledge of interval and chord theory. I wanted a reference to the Nashville Number System. Out of the few books on Amazon dedicated to this topic, I picked this book because of the prestige of the author and also, regarding music reference books, price tends to be a good indicator of the quality. After going through this book I will be returning it and checking out Chas Williams spiral bound book on NNS or perhaps Jim Riley's "Song Charting Made Easy" instead.
The main problem is from the prominent mention of the NNS on the cover, I expected a significant portion of the content to reflect the NNS. The book is mostly music theory, much of it diagrammed for piano as well as guitar, and only a small portion is about the NNS. My constructive criticism would be to remove NNS from the title of the book. That would clear up the expectation from many of us amateur musicians looking to learn the NNS.
The book includes chords and lyrics from many very famous songwriters such as the Beatles and Smokey Robinson. Maybe I missed it, but I do not see in the first few pages, nor on the content pages, any indication that these songs were represented with the approval of the songwriters. Were they or were they not? Maybe this author knows all of these famous people and got a handshake agreement to publish simple scores of their songs. Whether the book leaves out the text, "used by permission" or, no permission was granted, either is an egregious error from a songwriter of all people.
I should include the positive that this is a decent book to help someone begin to build chords on guitar and piano, if that is what you are looking for.
2 of 2 people found the following review helpful.
Good book of instruction
By Phil
Great for beginers and likely any of those wanting to learn the nashville number system.
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